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3 Sound Design Secrets That Feel Like CHEATING
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- Doom scrolling on mute has made us forget how powerful sound really is pretty visuals grab your attention but it sound that keeps you
- hooked I'm going to share the three sound design techniques that took me 16 years to master but it only take you a few minutes to learn using these three
- alone will instantly upgrade your work but for each technique I'm going to share a secret cheat code that made the biggest difference in my work so you
- won't want to miss any of these my sound effects used to sound really flat and boring it wasn't necessarily the sounds that I used but
- it was how I used it now the best example I can give is a whoosh a single whoosh can be okay for matching visuals of a small
- movement but when there's a big dramatic one a single whoosh isn't quite enough finding a deeper whoosh will help but still lacks
- weight thinking about sounds in different frequencies is what solved the problem [Music]
- so imagine layering a cake where each layer adds a unique flavor except on an audio Spectrum it looks more like this now by layering sounds with different
- frequencies you can achieve a much more full Dynamic Sound instead of scrolling endlessly for the right sound effects thinking in
- layers puts you miles ahead now the cheat code for using this technique is applying it outside of sound effects like with your dialogue and your music I
- used to throw my dialog track right onto my timeline and then lower the gain of my background music and just call it a day but ever since I saw a tutorial from
- my buddy Dave I've been using this technique he shared in every video I've ever edited since I've learned it instead of using the DSR effect for its
- intended purpose you can use it to carve out a pocket in the mid- frequencies of your music
- track your dialogue naturally sits in that pocket and you can always EQ it to cut off the low and high ends for a better fit but this technique gives each
- element its own space resulting in a fuller mix a lot of you have asked me where I get my sound effects from and my go-to answer has always been art list
- but a secret weapon I've been using for years is soundpacks from Happy editing I'm really excited that the sponsoring this video and I want to show you how I
- use their packs to make my videos stand out first let's have a listen of this promo cut using sound effects that's scattered across different sources and
- genres [Music]
- so it sounds pretty good but it does feel a little bit safe because I'm using the same set of sounds that I would for any video I work on having a broad
- library of sound effects is amazing when you're working on a lot of different genres of videos but if you're working on an athletic commercial and you're
- using the same sound effects that you would for a wedding video or corporate video you're not going to get the best results now let's replace the sounds
- with ones from Happy editing's transition sound effects pack this pack covers all the category of sounds that I frequently use when I'm editing like
- risers hits and whooshes especially whooshes let's take a listen he the difference the sound matches the visual aesthetic and feels
- way more coherent and that's the main tip that I want to share commit to a style instead of mixing random sounds gritty Basse hits aren't going to work
- for your corporate videos the same way clean bell dings won't work for your street wear promo soundpacks have been the easiest way for me to keep my style
- consistent or to keep a specific video feeling consistent most of the Glitchy sound effects that you hear in my work have been from Happy editing so if you
- like the sounds that you heard check out this transition sound effects pack with the link below huge thank you to happy editing for sponsoring this video
- keeping this tip in mind the cheat code I'll sometimes use to make my video Stand Out is using sounds that do not not match the visuals this was inspired
- by the show Euphoria where the director uses something they call emotional realism the cinematography on the show portrays how the characters feel in
- their environment rather than what's literally happening I took that same principle and applied it to sound design so in a video I made called The Vessel
- and the filter it's just shots of me making coffee but the message is how making coffee is similar to our creative process as filmmakers to add more weight
- to the visuals I replac the literal sounds with only nature sounds coffee grounds breaking became the crackling of icebergs and the swish of coffee
- transformed into an ocean crash by limiting myself to only nature sounds and intentionally mismatching the visuals you can create a deeper
- experience for your audience okay so let's say you're editing a 30second promo video and you want to use a song that's 3 minutes how do you cut the
- music to fit in that video length I had a lot of trouble trimming Down music when I first started because ending a song early felt like just driving and
- then suddenly slamming my brakes the remix feature in premere does a pretty good job but most of the time I need more control to fit the visuals or to
- emphasize key moments so after watching endless amounts of movie trailers and promo videos I'm going to share my favorite way to transition in and out of
- a song If the song you're using doesn't have a natural lead in you can use the beginning beat of the song Reverse it and use it as a riser to
- naturally ease into the song If the beginning beat doesn't work you can always try reversing the tail end of the song to use as a riser as
- well this method is a great way to introduce a new song in the same video or to get back into a song after a bridge or a quiet moment of the
- [Applause] song now the way that I like to get out of a song is adding a Reverb on the final beat all I do is cut before the
- next beat hits cut the beginning of the beat Nest it extend the nested sequence by placing something else further down the timeline in this case I just
- duplicate that section disable it and move it down further so we don't hear it a second time and then I go back to the main timeline and add a studio Reverb on
- it you can play with different presets to find the best fit but usually I like to start out with the Great Hall preset this is without the
- [Music] Reverb and this is with the [Music] Reverb sometimes I'll do a little fade
- at the end of the original track and then play the Reverb version underneath like this
- using these two methods already gets you great and natural sounding results but the cheat code that I use to make it feel absolutely seamless is layering
- sound effects on top of these methods so to ease into a track I look for sounds like risers swells or suckback to layer underneath like
- this they're also great for getting out of a song to emphasize moments in your videos like this I don't know if you noticed but you
- got a crack in your windshield if you want the ending of your song to hit harder don't be afraid to add these sounds as well and even impacts slams or
- hits to wrap it all up with a bang the quality of my sound design improved drastically after applying
- these three techniques so let me know in the comments if they helped you as well [Music]